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John Alton(1901-1996)

  • Cinematographer
  • Camera and Electrical Department
  • Director
IMDbProStarmeterSee rank
John Alton
Starting out in 1924 as a lab technician at MGM, John Alton left there for Paramount to become a cameraman. He traveled to France and then to South America, where he wrote, photographed and directed several Spanish-language films. Returning to Hollywood in 1937, he soon achieved a reputation as one of the industry's most accomplished cinematographers. In 1951, he and Alfred Gilks won an Academy Award for color photography for An American in Paris (1951).
BornOctober 5, 1901
DiedJune 2, 1996(94)
BornOctober 5, 1901
DiedJune 2, 1996(94)
IMDbProStarmeterSee rank
  • Won 1 Oscar
    • 3 wins & 2 nominations total

Known for

Gene Kelly and Leslie Caron in An American in Paris (1951)
An American in Paris
7.1
  • Camera and Electrical Department
  • 1951
Closed Door (1939)
Closed Door
6.4
  • Cinematographer
  • 1939
El hijo de papá
  • Cinematographer
  • 1934
The Brothers Karamazov (1958)
The Brothers Karamazov
6.7
  • Cinematographer
  • 1958

Credits

IMDbPro

Cinematographer



  • Barbara Bain, Martin Landau, Peter Graves, Peter Lupus, and Greg Morris in Mission: Impossible (1966)
    Mission: Impossible
    7.9
    TV Series
    • Cinematographer
    • 1966
  • "Birdman of Alcatraz" (Saul Bass Poster) 1962
    Birdman of Alcatraz
    7.8
    • Cinematographer (uncredited)
    • 1962
  • 12 to the Moon (1960)
    12 to the Moon
    3.4
    • director of photography
    • 1960
  • Burt Lancaster, Jean Simmons, and Shirley Jones in Elmer Gantry (1960)
    Elmer Gantry
    7.7
    • photographed by
    • 1960
  • Montgomery Clift, Myrna Loy, Dolores Hart, and Robert Ryan in Lonelyhearts (1958)
    Lonelyhearts
    6.6
    • director of photography
    • 1958
  • The Brothers Karamazov (1958)
    The Brothers Karamazov
    6.7
    • director of photography
    • 1958
  • Designing Woman (1957)
    Designing Woman
    6.7
    • director of photography
    • 1957
  • Marlon Brando, Glenn Ford, and Machiko Kyô in The Teahouse of the August Moon (1956)
    The Teahouse of the August Moon
    6.6
    • director of photography
    • 1956
  • Tea and Sympathy (1956)
    Tea and Sympathy
    7.3
    • director of photography
    • 1956
  • Bette Davis, Ernest Borgnine, Debbie Reynolds, and Barry Fitzgerald in The Catered Affair (1956)
    The Catered Affair
    7.4
    • director of photography
    • 1956
  • Arlene Dahl, Rhonda Fleming, and John Payne in Slightly Scarlet (1956)
    Slightly Scarlet
    6.5
    • director of photography
    • 1956
  • Ronald Reagan, Rhonda Fleming, Coleen Gray, and John Payne in Tennessee's Partner (1955)
    Tennessee's Partner
    6.5
    • director of photography
    • 1955
  • Pearl of the South Pacific (1955)
    Pearl of the South Pacific
    5.3
    • director of photography
    • 1955
  • Barbara Stanwyck and Robert Ryan in Escape to Burma (1955)
    Escape to Burma
    5.5
    • director of photography
    • 1955
  • Richard Conte, Cornel Wilde, and Jean Wallace in The Big Combo (1955)
    The Big Combo
    7.3
    • director of photography
    • 1955

Camera and Electrical Department



  • Gene Kelly, Debbie Reynolds, and Donald O'Connor in Singin' in the Rain (1952)
    Singin' in the Rain
    8.3
    • additional photographer (uncredited)
    • 1952
  • Gene Kelly and Leslie Caron in An American in Paris (1951)
    An American in Paris
    7.1
    • ballet photographer
    • 1951
  • Julie Bishop, Nancy Kelly, William Marshall, Vera Ralston, Ann Rutherford, and Helen Walker in Murder in the Music Hall (1946)
    Murder in the Music Hall
    6.2
    • cinematographer: ice skating numbers
    • 1946
  • Leo Carrillo, Tito Guízar, Constance Moore, and Estelita Rodriguez in Mexicana (1945)
    Mexicana
    5.8
    • assistant camera (uncredited)
    • 1945
  • Der Mann, der den Mord beging (1931)
    Der Mann, der den Mord beging
    6.7
    • cinematographer: Constantinople footage
    • 1931
  • The Song of the Flame (1930)
    The Song of the Flame
    5.2
    • cinematographer: Paris footage (uncredited)
    • 1930
  • The Student Prince in Old Heidelberg (1927)
    The Student Prince in Old Heidelberg
    7.5
    • cinematographer: German footage (uncredited)
    • 1927

Director



  • Closed Door (1939)
    Closed Door
    6.4
    • Director
    • 1939
  • El hijo de papá
    • Director
    • 1934
  • Luis Arata, Luis Sandrini, and Luisa Vehil in The Three Amateurs (1933)
    The Three Amateurs
    6.5
    • Director (uncredited)
    • 1933

Personal details

  • Born
    • October 5, 1901
    • Sopron, Austria-Hungary [now Hungary]
  • Died
    • June 2, 1996
    • Santa Monica, California, USA(undisclosed)
  • Spouse
    • Rozalia Kiss? - 1987 (her death)
  • Other works
    Book: "Painting with Light".
  • Publicity listings
    • 1 Biographical Movie
    • 1 Print Biography
    • 5 Articles

Did you know

  • Trivia
    In 1960, following his work on Elmer Gantry (1960), he quit the movie business. He returned briefly in 1966 to direct photography for the pilot episode of the TV series Mission: Impossible (1966). Afterwards, he virtually disappeared. For years, even his closest friends did not know his whereabouts. In 1984, his work was honored at the Telluride Film Festival in Colorado, with a tribute entitled, "Where is John Alton?" In 1993, at the age of 92, Alton heard about Visions of Light (1992), a documentary about cinematographers that included some of his movie work. He contacted the film's producer, Todd McCarthy, and asked to attend the premiere. McCarthy, who had hoped to include an interview with Alton in the film, was astonished to hear from him. Afterwards, Alton insisted that there was nothing mysterious in his disappearance, that he and his wife had simply decided to give up the movie business and travel a bit. They had lived in France, Germany, and Argentina, and had a great time. He died in 1996 at the age of 95.
  • Quotes
    I stopped because I wanted to live. That was no life, to work at the studio, get up at six every morning and fight the producers. I had enough. I looked at my bank book and I said, 'That's it!'

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