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Robert Elswit

  • Cinematographer
  • Visual Effects
  • Camera and Electrical Department
IMDbProStarmeterSee rank
Robert Elswit
Robert Elswit is an American cinematographer. He is best known for Boogie Nights (1997), Magnolia (1999), Good Night, and Good Luck (2005), There Will Be Blood (2007), Mission: Impossible - Ghost Protocol (2011), Inherent Vice (2014), and Nightcrawler (2014).

Elswit frequently works with director Paul Thomas Anderson and has worked with George Clooney several times. He shot Clooney's black and white, multiple-Oscar nominated film Good Night, and Good Luck. Notably, Elswit shot the film in color, then converted the film into black and white in post production.

He received his first Academy Award nomination for Best Cinematography in 2006 for his work on the movie Good Night, and Good Luck. Two years later, he would again be nominated and this time win the Oscar for Best Cinematography, for his work on There Will Be Blood.
BornApril 22, 1950
  • More at IMDbPro
    • Contact info
    • Agent info
    • Resume
BornApril 22, 1950
IMDbProStarmeterSee rank
  • View contact info at IMDbPro
    • Won 1 Oscar
      • 20 wins & 42 nominations total

    Photos8

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    Known for

    Daniel Day-Lewis in There Will Be Blood (2007)
    There Will Be Blood
    8.2
    • Cinematographer
    • 2007
    David Strathairn in Good Night, and Good Luck. (2005)
    Good Night, and Good Luck.
    7.4
    • Cinematographer
    • 2005
    Jake Gyllenhaal in Nightcrawler (2014)
    Nightcrawler
    7.8
    • Cinematographer
    • 2014
    Joaquin Phoenix in Inherent Vice (2014)
    Inherent Vice
    6.6
    • Cinematographer
    • 2014

    Credits

    IMDbPro

    Cinematographer



    • Animals
      • Cinematographer
      • Completed
      • 2026
    • The Boys from Brazil
      • director of photography
      • Post-production
      • TV Mini Series
      • 2026



    • Jon Bernthal in The Punisher: One Last Kill (2026)
      The Punisher: One Last Kill
      7.0
      TV Special
      • director of photography
      • 2026
    • Jamie Lee Curtis, Woody Harrelson, Albert Brooks, Kumail Nanjiani, Jack Lowden, Emma Mackey, and Ayo Edebiri in Ella McCay (2025)
      Ella McCay
      5.2
      • Cinematographer
      • 2025
    • Andrew Scott in Ripley (2024)
      Ripley
      8.1
      TV Mini Series
      • Cinematographer
      • 2024
    • Kingsley Ben-Adir in Bob Marley: One Love (2024)
      Bob Marley: One Love
      6.2
      • director of photography
      • 2024
    • Will Smith, Saniyya Sidney, and Demi Singleton in King Richard (2021)
      King Richard
      7.5
      • director of photography
      • 2021
    • Pete Davidson in The King of Staten Island (2020)
      The King of Staten Island
      7.1
      • director of photography
      • 2020
    • Snowbrawl (2019)
      Snowbrawl
      6.5
      Short
      • Cinematographer
      • 2019
    • Velvet Buzzsaw (2019)
      Velvet Buzzsaw
      5.7
      • director of photography
      • 2019
    • Dwayne Johnson in Skyscraper (2018)
      Skyscraper
      5.8
      • director of photography
      • 2018
    • Emily Mortimer, Finn Wittrock, and Rachel Keller in Write When You Get Work (2018)
      Write When You Get Work
      5.2
      • director of photography
      • 2018
    • Denzel Washington in Roman J. Israel, Esq. (2017)
      Roman J. Israel, Esq.
      6.5
      • director of photography
      • 2017
    • Julianne Moore, Matt Damon, and Oscar Isaac in Suburbicon (2017)
      Suburbicon
      5.8
      • director of photography
      • 2017
    • Matthew McConaughey in Gold (2016)
      Gold
      6.7
      • director of photography
      • 2016
    • Nespresso: Change Nothing (2016)
      Nespresso: Change Nothing
      5.5
      Video
      • Cinematographer
      • 2016
    • John Turturro and Riz Ahmed in The Night Of (2016)
      The Night Of
      8.4
      TV Mini Series
      • director of photography
      • 2016

    Visual Effects



    • Harrison Ford, Carrie Fisher, Mark Hamill, James Earl Jones, Warwick Davis, David Prowse, Billy Dee Williams, Michael Carter, and Larry Ward in Star Wars: Episode VI - Return of the Jedi (1983)
      Star Wars: Episode VI - Return of the Jedi
      8.3
      • effects cameraman: ILM
      • 1983
    • Henry Thomas and Pat Welsh in E.T. the Extra-Terrestrial (1982)
      E.T. the Extra-Terrestrial
      7.9
      • camera operator: ILM
      • 1982
    • Harrison Ford, Anthony Daniels, Carrie Fisher, Mark Hamill, James Earl Jones, David Prowse, Kenny Baker, and Peter Mayhew in Star Wars: Episode V - The Empire Strikes Back (1980)
      Star Wars: Episode V - The Empire Strikes Back
      8.7
      • matte photography assistant: miniature and optical effects unit
      • 1980
    • Leonard Nimoy, William Shatner, and Persis Khambatta in Star Trek: The Motion Picture (1979)
      Star Trek: The Motion Picture
      6.4
      • photographic effects photography: Apogee Inc. (as Robert Elswitt)
      • 1979

    Camera and Electrical Department



    • Mick Jagger, Keith Richards, Charlie Watts, and Ronnie Wood in Shine a Light (2008)
      Shine a Light
      7.1
      • camera operator (as Bob Elswit)
      • 2008
    • Genesis (1978)
      Genesis
      6.4
      Short
      • assistant camera
      • 1978
    • Fraternity Row (1977)
      Fraternity Row
      6.3
      • camera operator
      • 1977

    • In-development projects at IMDbPro

    Personal details

    • Alternative names
      • Bob Elswit
    • Born
      • April 22, 1950
      • Los Angeles, California, USA
    • Spouse
      • Amanda Elswit? - present
    • Relatives
      • Rik Elswit(Sibling)
    • Other works
      Director of photography for the following music videos (all directed by Paul Thomas Anderson):

    Did you know

    • Trivia
      Godfather of actor Jake Gyllenhaal.
    • Quotes
      [on Gigli (2003)] Nobody sets out to make a bad movie. Marty Brest [Martin Brest] is one of the smartest, funniest, most intelligent, strange, neurotic human beings I've ever worked with, and I really loved it. What he can't do is write. He made a horrible mistake. He tried to write his own movie. There are some people whose imaginative skills are all about taking a screenplay and working it into something else, and that's Marty Brest. Marty decided to write this thing himself, and somehow he talked Joe Roth and all those guys over at Sony into doing it. It was just not a film. And you know what? Part of it was the personal relationships involved. Ben [Ben Affleck] fell in love with what's-her-name... [Jennifer Lopez] the whole thing was misshapen from the very beginning. I don't know if it ever would've worked out, but I think Marty Brest is not a screenwriter. He's a really interesting and compelling director and a lot of fun to be on the set with. He's a complicated guy. He does not get along with studio executives. He's not a great partner. When his films make money for his partners, they put up with it. And as soon as they didn't, he couldn't buy a job. He hasn't worked since. His work was held to pretty high standards, but his personal relationships are kind of what doomed him. His lack of charm and inability to compromise and interact with studio executives, particularly on a film that cost that much money, made things complicated. He was probably the most combative director I've ever worked with when it came to studio people. Not with the crew, or me, or anyone else, but when it came to his relationship with the people at Sony, he was a nightmare. But if the film had made $400 million, there would've been another one a year later.[2014]

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