Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsPrimetime EmmysToronto Int'l Film FestivalFall TV GuideMost Anticipated This MonthSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayTrending peopleCelebrity news
    IMDb LabsHelp centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
    Some content may be auto-translated
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
    Some content may be auto-translated
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
  • Awards
  • Trivia
IMDbPro

Quotes

Ken Kelsch

  • Filmmaking is like combat, it's 90 percent boredom, 5 percent panic and 5 percent terror. Especially on an Abel Ferrara project.
  • Platoon? That's simplistic. Every scumbag in one unit? When I look at Platoon, my reaction is, I never saw that in Special Forces. Everyone I served with was brilliant. They weren't these archetypical, out-of-control maniacs. Sure, they may have had a homicidal bent to their thinking, but think about this: There were guys in there who had an enormous amount of money, and yet, they kept coming back. Because they believed in it.They continued to do what they thought had to be done.
  • Well, Freddie Francis, he had the right way of looking at it. That's how I live. Don't trap the actors in the bars of what you do light, make sure you have a reason for putting a light up other than exposure. Put the camera on your shoulder, be unfiltered, unfettered, and go out there and do what has to be done.
  • Bedrich Batka[Marketa Lazarová (1967), The Golden Fern] was my cinematography professor, but even though I learned the most from him, we didn't get along. Look, I was a young, hard, ass-kickin, 197 pounds of rompin'-stompin' inboard death. I certainly wasn't gonna take any shit from some fucking college professor.

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More from this person

More to explore

Recently viewed

You have no recently viewed pages
Get the IMDb app
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb app
For Android and iOS
Get the IMDb app
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2026 by IMDb.com, Inc.