Release calendarTop 250 moviesMost popular moviesBrowse movies by genreTop box officeShowtimes & ticketsMovie newsIndia movie spotlight
    What's on TV & streamingTop 250 TV showsMost popular TV showsBrowse TV shows by genreTV news
    What to watchLatest trailersIMDb OriginalsIMDb PicksIMDb SpotlightFamily entertainment guideIMDb Podcasts
    OscarsPrimetime EmmysToronto Int'l Film FestivalFall TV GuideMost Anticipated This MonthSTARmeter AwardsAwards CentralFestival CentralAll events
    Born todayTrending peopleCelebrity news
    IMDb LabsHelp centerContributor zonePolls
For industry professionals
  • Language
  • Fully supported
  • English (United States)
    Partially supported
    Some content may be auto-translated
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Watchlist
Sign in
  • Fully supported
  • English (United States)
    Partially supported
    Some content may be auto-translated
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Use app
Back
  • Biography
  • Awards
  • Trivia
IMDbPro
Erich von Stroheim

Biography

Erich von Stroheim

Overview

  • Born
    September 22, 1885 · Vienna, Austria-Hungary [now Austria]
  • Died
    May 12, 1957 · Maurepas, Seine-et-Oise [now Yvelines], France (prostate cancer)
  • Birth name
    Erich Oswald Hans Carl Maria Von Stroheim
  • Nickname
    • The Man You Love to Hate
  • Height
    5′ 6″ (1.68 m)

Mini bio

  • Erich von Stroheim was born Erich Oswald Stroheim in 1885, in Vienna, Austria, to Johanna (Bondy), from Prague, and Benno Stroheim, a hatter from Gleiwitz, Germany (now Gliwice, Poland). His family was Jewish.

    After spending some time working in his father's hat factory, he emigrated to America around 1909. Working in various jobs he arrived in Hollywood in 1914 and got work in D.W. Griffiths' company as a bit player. America's entry into WW1 enabled him to play sadistic monocled German officers but these roles dried up when the war ended. He turned to writing and directing but his passion for unnecessary detail such as Austrian guards wearing correct and expensively acquired regulation underwear which was never seen in 'Foolish Wives' caused the budget to reach a reported $1 million. Although the film became a hit the final edit was given to others resulting in a third of his footage being cut. Irving Thalberg fired him from 'Merry Go Round' which was completed by Rupert Julien. He then started on 'Greed', which when completed was unreleasable being 42 reels with a running time of 7 hours. It was eventually cut down to 10 reels which still had a striking effect on audiences. 'The Wedding March' was so long that even in it's unfinished state it was released as two separate films in Europe. Gloria Swanson fired him from her production of 'Queen Kelly' when with no sign of the film nearing completion the costs had risen to twice the budget partly due to him re-shooting scenes that had already been passed by the Hays office. She then had to spend a further $200,000 putting the footage into releasable state. It was the end for him as a director, but he made a reasonable success as an actor in the talkies.
    - IMDb mini biography by: tonyman5

Family

  • Spouses
      Valerie Germonprez(October 16, 1920 - May 12, 1957) (his death, 1 child)
      Mary Agnes Jones(1916 - July 1919) (divorced, 1 child)
      Margaret Knox(February 19, 1913 - November 1915) (divorced)

Trademarks

  • Ambulances are recurring themes in his films
  • Frequently included imbecile characters in films he wrote/directed
  • Frequently worked with Maude George, Dale Fuller, Gibson Gowland, Cesare Gravina and Zasu Pitts.
  • Frequently included shots of janitors or cleaning personel in films he directed in order to add realism and demystify the location. Examples include the janitor removing candle wax from the floor of the cathedral in The Wedding March (1928) and a cleaning crew vacuuming the grand staircase in the palace in Queen Kelly (1929).
  • His films as a writer/director are often set in Austro-Germanic or Graustarkian locations, such as Vienna for Merry-Go-Round (1923), The Wedding March (1928) and The Honeymoon (1929), the kingdom of Monteblanco in The Merry Widow (1925) and the kingdom of Kronberg in Queen Kelly (1929).

Trivia

  • As the butler in Sunset Boulevard (1950), he is in the projection room when Norma Desmond and Joe Gillis are watching one of Norma's old films. The film is actually Queen Kelly (1929), which von Stroheim directed and which starred Gloria Swanson, who is playing Norma Desmond.
  • His longtime business manager was Elmer Cox, father of actor Dick Sargent.
  • In 1936, he left for France, leaving behind third wife, actress Valerie Germonprez, and sons Erich von Stroheim Jr. and Josef von Stroheim. The rest of his career was spent writing two novels, touring in a production of "Arsenic and Old Lace", and appearing in small roles in Europe and the United States.
  • Emmigrated to the USA at the port of New York aboard the S.S. Prinz Friedrich Wilhelm on 25 November 1909.
  • A $10,000 bonus was offered to him by MGM chief Louis B. Mayer once he finished The Merry Widow (1925) in less than six weeks.

Quotes

  • If you live in France and you have written one good book, or painted one good picture, or directed one outstanding film, 50 years ago, and nothing ever since, you are still recognized as an artist and honored accordingly ... In Hollywood - in Hollywood, you're as good as your last picture. If you didn't have one in production in the last three months, you're forgotten, no matter what you have achieved ere this. It is that terrific, unfortunately necessary, egotism in the makeup of the people who make the cinema, it is the continuous endeavor for recognition, that continuous struggle for survival and supremacy, among the newcomers, that relegates the old-timers to the ashcan.
  • The difference between me and [Ernst Lubitsch] is that he shows you the king on the throne and then he shows you the king in his bedroom. I show you the king in his bedroom first. Then when you see him on the throne you have no illusions about him.
  • [on seeing the two-hour version of Greed (1924), rather than the whole film] It was like viewing a corpse in a graveyard.
  • [on Irving Thalberg and the cutting of Greed (1924)] The man who cut my picture has nothing on his head but a hat!
  • [shouting at actors while shooting Foolish Wives (1922)] I'm making this picture for the theatre! Not for the actors!

Salaries

  • Sunset Boulevard (1950) - $5,000 per week + 1,500,000 French Francs upon completion
  • Blind Husbands (1919) - $200 /wk
  • Who Goes There? (1917) - $75 /week

Contribute to this page

Suggest an edit or add missing content
  • Learn more about contributing
Edit page

More from this person

  • View agent, publicist, legal and company contact details on IMDbPro

More to explore

Recently viewed

You have no recently viewed pages
Get the IMDb app
Sign in for more accessSign in for more access
Follow IMDb on social
Get the IMDb app
For Android and iOS
Get the IMDb app
  • Help
  • Site Index
  • IMDbPro
  • Box Office Mojo
  • License IMDb Data
  • Press Room
  • Advertising
  • Jobs
  • Conditions of Use
  • Privacy Policy
  • Your Ads Privacy Choices
IMDb, an Amazon company

© 1990-2026 by IMDb.com, Inc.